Eine mit seinem Werk untrennbar verbundene Biographie des klassischen Philosophen (1724-1804), mit einem ausführlichen Personen- und Sachregister.

Solov'ev (1853-1900) gilt als "der erste christliche Denker, der den individuellen und nicht nur den Gattungssinn der Liebe zwischen Mann und Frau anerkannte" (Berdjajev). Der bedeutendste russische Philosoph des 19. Jahrhunderts sieht in der Unbedingtheit des leidenschaftlichen Verlangens der sinnlichen Liebe ein Geschehen der unbedingten Anerkennung des geliebten Menschen - das Fundament der Ethik.

Aesthetics cannot complain of any lack of discussions. These are now conducted in peaceful, collegial tones, helping to clarify any vexed problem. Such, in particular, are the polemics about the nature of the beautiful that have been going on in our press for more than a quarter of a century, alternately swelling and subsiding. The purpose of this paper is to illuminate the vicissitudes of these polemics. The focal point is not the participants, but the points of view and principles (...) that have been formulated for approaching the problem of the beautiful, the results that have been achieved, and the questions that still remain to be dealt with. (shrink)

"Mysl"‘ Publishers timed the appearance of this book to mark the one hundredth anniversary of Friedrich Engels's work Ludwig Feuerbach and the End of Classical German Philosophy. Engels quite pointedly dubbed the theories which emerged in Germany in the end of the eighteenth and beginning of the nineteenth centuries as "classical philosophy." It was among the highest achievements of the world's wisdom, and it prepared the ground for the genesis of dialectical and historical materialism. German classical philosophy is the theoretical (...) wellspring of Marxism. (shrink)

Ocherk 1. Voprosy ontologii -- Ocherk 2. Voprosy ėtiki i ėstetiki -- Ocherk 3. Voprosy gnoseologii i aksiologii.

Because the techno-economic paradigm of contemporary conceptualizations of innovation is often taken for granted in the literature, this chapter opens up this self-evident notion. First, the chapter consults the work of Joseph Schumpeter, who can be seen as the founding father of the current conceptualization of innovation as technological and commercial. Second, we open up the concept by reflecting on two aspects of Schumpeter’s conceptualization of innovation, namely its destructive and its constructive aspect, based on findings in the history of (...) innovation. Finally, we synthesize our findings and propose an ontic-ontological conceptualization of innovation as ontogenetic process and outcome with six dimensions—newness, political dimension, economic dimension, temporal dimension, human dimension and risk—that moves beyond its technological and commercial orientation. (shrink)